Lioness came together in Toronto in the winter of early 2007, almost in secret, when Jeff Scheven and Ronnie Morris, the rhythm section behind the stomping disco pulses of controller.controller, hooked up with Vanessa Fischer of soul-punk quartet No Dynamics. Haunting off-the-radar locales, playing low-key after-hours sets in dark, sweaty clubs, Lioness generated a noteworthy undercurrent of buzz on the scene. Their sans-guitar sound is like a head-on collision of old and new, as Fischer draws upon jazz, old soul and blues, roaring and moaning over layers of electronic squall and elastic rhythms like a witch in heat. It’s a clash of organic and synthetic, the sound of disco and house music filtered and distorted through the instrumental apparatus of live rock and roll.
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1 comment:
Very helpful piece of writing, much thanks for the article.
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